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malbon@vt.edu
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Christina Bucher teaches at Elizabethtown College.
Abstract: In European art of the 15th century, the Virgin Mary is frequently
portrayed seated in an enclosed garden. This image, which art historians
suggest symbolizes Mary’s purity, originates in the Song of Songs
4:12: “My sister, my spouse, is a garden enclosed, a garden enclosed,
a fountain sealed up.” This paper will examine selected 15th-century
European paintings and manuscript illustrations that associate Mary with
an enclosed garden. Included will be paintings by Stefan Lochner, the
Master of the Paradise Garden, the Master of the House-Book, Matthias
Gruenewald, and Hans Memling, as well as a Book of Hours that is located
in the Free Library of Philadelphia. The paper will explore ways in which
other symbolism in these paintings and illustrations may have its origin
in the Song of Songs, and it will identify other biblical texts that appear
to underlie the artistic symbolism.
2005, Philadelphia
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