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malbon@vt.edu
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Dr. Jensen is Associate Professor of the History of Christianity at Andover
Newton Theological School in Newton Centre, MA, and the author of Understanding
Early Christian Art (Routledge, 2000).
Abstract: Christians are often said to have received their reticence for
visual images, and especially for images of the divine, from their Jewish
roots. However, as this paper argues, Judaism did not claim that God is
invisible, nor was it consistently aniconic in regards to figurative representations
in visual art. Instead, Christian tradition regarding the visibility of
God and the permissibility of visual images owes more to the Hellenistic
philosophical tradition as adapted by early Christian apologists. As Christian
art develops and images become common in churches and other religious
settings, the theological arguments in favor of images parallel the defense
of the equality of the natures of the Trinity in the mid-fourth century
and the Incarnational theology emerging out of the Christological controversy
of the early fifth century.
2002, Toronto
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